Questions & Answers
Q. Any other woodworking
mentors.
A. Other than the
ones I’ve mentioned, I
guess I’d have to go all the way back to my high school woodshop
and Mr. Storley. All four years I was in high school I was the teacher’s
aid in the woodshop. Mr. Storley was someone who could make you think
about what you could do with power tools. That was probably when
I began to believe that I could actually make a living out of woodworking.
On top of that, he was just a really funny guy and I enjoyed the
whole learning experience.
So, those men
were the ones who taught me my craft. They’re my biggest influences. I’ve
worked around a lot of great people, but those are the key players.
Q. Once you get a project, what’s the
process like from your point of view?
A. Well, for most projects I spend about
half my time thinking about it and half my time working on it. The thinking
part is up front. That’s where I visualize the project and determine how it
will look in the end. I also need to figure out some of the processes. I need
to understand how it is all going to fit together. Something that’s well-made
and elegant is usually simple. But often I have to go through a design stage,
where it’s complicated and perhaps there are too many moving parts. I’ll refine
the design, simplify it and in the end, I have a more elegant solution to the
problem. It’s like some of the other arts…good music, good acting. The end
result needs to look and feel natural—just the way it should be.
Q. What kind of tools do you use for
design?
A. I have a really nice drafting board that
I use. If I really want to see the project and work through some details, I may
do an actual full scale layout in my shop. I might do a plan view from the top
and an elevation on the wall. When I’m designing cabinets, I’ll make
storyboards. I’ll draw a physical plan view that details the intersections,
showing all the doors and drawer fronts. This gives me a good visual
representation of how the finished project will look. 
If it’s an
entertainment center or a hutch or something on that scale, I usually do a
drawing. It’s not unusual for the owner or the contractor comes to me with
plans and then I can build it from there.
Q. How much do you want the customers to be
involved in the design process?
A. Hopefully they’re very involved. The
more the better. I think it’s important that there’s good communication between
the architect or designer, the builder and the customer. I especially like to
speak with the person who is going to live with the work. If it’s something
with doors, I like to know whether they are left or right handed. In a kitchen,
I need to know where the dishwasher should go. How tall do you want the
counters? Things like that. I’ll certainly give them my input and advice based
on my experience, but in the end, it’s the customer who is going to live with
the project.
Q. What opportunities do they
have to see the process along the way?
A. If they can, they are more
than welcome to come and see what I’m working on. If that’s not possible, I can
send photos of the progress. I’ve done it both ways.
Q. What are your plans for the future?
A. I’m very interested in building custom
furniture…chairs, tables, dressers, cribs, entertainment centers. I’d like to
showcase them on my web site and ship them to customers wherever they may be. I
have a lot of experience designing one of a kind pieces and I’m very
interested in making some unique items. I can make them to my specs or I can
create special pieces on order. I really enjoy doing both. When I’m building
something to someone else’s design, it gives me an opportunity to match their
vision and hone it down until it works just right. When it’s my own work, then
I have complete freedom to make things that work, just the way I want.
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